By Charles Hoffer

ISBN-10: 0495916145

ISBN-13: 9780495916147

The virtue model of Charles Hoffer's best-selling tune LISTENING at the present time keeps all of the key beneficial properties of the usual variation, yet released in a more cost effective black and white layout. either models provide a similar whole direction answer that develops student's listening abilities whereas educating them to understand the several kinds, kinds, and genres of track. With dozens of enticing established and not more known choices at their fingertips, you are going to tips on how to hearken to and have fun with all kinds of song, together with various renowned tune from cultures around the globe. The chronological association and modular layout makes it effortless to prepare your direction in no matter what means you opt.

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Extra info for Cengage Advantage Books: Music Listening Today

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In some contemporary works, however, the meter changes every few measures, so meter signatures are sometimes found within the work. The other way in which music notation indicates the pattern of beats is by vertical lines that enclose the beats in the pattern. These units of rhythm are called measures. Two-beat meter | Beat Beat | Beat Beat | } } Measures are also called bars, possibly because their vertical lines look something like bars on a window. Measure Measure Music students learn that the first beat of a measure is normally performed more strongly than the other beats in the measure.

4. Includes representative examples from cultures and societies around the world and in the United States. Two chapters are devoted to American popular music and another chapter presents stage and film music. Four chapters focus on folk/ethnic music, with examples from North and South America, Africa, the Middle East, and Asia. 5. Provides the Resource Center, an interactive study aid that has been created to enhance the content of the book. The Resource Center includes: • The valuable Active Listening Guides, mentioned earlier.

All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s). Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it. PREFACE xxxi For Instructors Resources available to instructors include: • a Test Bank containing more than 600 questions (about 450 information and 150 listening) that are grouped by chapter to make it easier to create the desired number of examinations • a PowerPoint lecture for each chapter • an extensive downloadable instructor’s manual Acknowledgments I wish to thank the following professors for their reviews and suggestions offered for the fourth edition: Lincoln Ballard, University of Washington, Seattle Noel Benkman, Chabot College Mark Bergman, George Mason University Valerie Calhoun, Gordon College Wei Tsun Chang, Tennessee Tech University Laura Feo-Fernández, University of Memphis Geoffrey Friedley, Idaho State University Jesse Guessford, George Mason University Richard Mark Heidel, University of Wisconsin, Eau Claire Heather Hunnicut, Georgetown College Dorothy Keyser, University of North Dakota Francis Massinon, Austin Peay State University Dwight Monical, Purdue University Jo Ann Schwader, Northwest Arkansas Community College Jane L.

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Cengage Advantage Books: Music Listening Today by Charles Hoffer

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