By Wilfred G. E. Watson

ISBN-10: 0567083888

ISBN-13: 9780567083883

ISBN-10: 0567540898

ISBN-13: 9780567540898

ISBN-10: 0905774574

ISBN-13: 9780905774572

ISBN-10: 1850750483

ISBN-13: 9781850750482

Despite controversial concerns, comparable to metre, we now recognize sufficient approximately classical Hebrew poetry in an effort to know how it used to be composed. This large-scale handbook, wealthy intimately, exegesis and bibliography, offers directions for the research and appreciation of Hebrew verse. subject matters comprise oral poetry, metre, parallelism and varieties of the strophe and stanza. Sound styles and imagery also are mentioned. A long bankruptcy units out a complete diversity of different poetic units and the ebook closes with a collection of labored examples of Hebrew poetry. all through, different historical Semitic verse has been used for comparability and the foundations of contemporary literary feedback were utilized.

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Extra info for Classical Hebrew Poetry: A Guide to Its Techniques (JSOT Supplement Series)

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3 METRE. 15. The bracketed letters refer to the paragraphs set out below. Analysing Hebrew Poetry 17 ends, as would be the case in, say, a passage from the prophets. The fewer such problems to resolve the better. b. Commentaries. It is always difficult to decide whether to study a passage without looking at what others have said about it, or whether to read the commentaries first. To come to a poem with fresh eyes is certainly very valuable and better than having someone else tell you how to read it.

Leech, Guide, 52. 5). All language contains archaisms; poetic language merely tends to use more archaisms than normal, a difference of degree which has to be taken into account in determining dates. The presence of obsolete language in Ruth, for example, does not show it to be an ancient book tout court, since closer inspection reveals that the outmoded turns of phrase have been put into the mouths of older people. The question that has to be put, therefore, is not whether archaisms are present, but why they are used and how.

17. 7 on TEXTUAL CRITICISM. 18 Classical Hebrew Poetry practice this means how it sounds, where the repetitions lie, the general movement of thought and so on. Each time, the text must be read through completely. The poem must always be considered as a whole, even in the process of detailed analysis, since this acts as a check against excess (it is all too easy to pick out a structural pattern, for instance, but rather more difficult to fit it into the rest of the poem). Reading through is also a guide for selecting the most suitable approach (see g, below).

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Classical Hebrew Poetry: A Guide to Its Techniques (JSOT Supplement Series) by Wilfred G. E. Watson


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