By Richard Schickel

Via broad, specific interviews with Eastwood (and the buddies and associates of a lifetime), Time journal movie critic Richard Schickel has penetrated a fancy personality who has continually been understood too fast, too superficially. Schickel pierces Eastwood's huge reserve to bare the anger and the shyness, the shrewdness and frankness, the humor and robust will that experience helped make him what he's this present day. of photos.

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Critics, academics, pundits etc. use the channels of the media to present their tastes and preferences as the accepted view of what is ‘good art’ and ‘bad art’. There are dangerous liaisons with private or business sponsorships. A national theatre company in the UK was refused much-needed corporate sponsorship for its production of a Jacobean tragedy, ’Tis Pity She’s A Whore, because the corporation did not wish its name to be associated with the word ‘whore’. A private art collector buys up – at huge expense – the early work of new, young and potentially subversive fine artists, turning both art and artist into ‘brands’.

It is important not to see a short project as ‘lesser’ than a longer one. Multi-twinned projects. The Contacting the World international project twins twelve groups (six pairs of twins), all engaged in the same process, over a nine-month period. Such a project demands greater organisation – and possibly resources – but such a model could also be applied locally, regionally or nationally. ‘Agenda-based’ projects. Projects that are linked to, or framed by, a particular major event or enterprise – local, national or international.

The combination of the two can translate into a twinned project being allowed to lean towards English as the common vocabulary. That can seem the easiest route. But those of us who have English as our first language, and those who wish to learn English as a second language, need to think about the implications of that for our projects. A diversity of languages (like species of plants or animals) is disappearing from our planet at an alarming rate, and as artists (who should value diversity of expression) we should be seeking ways to combat that.

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Clint Eastwood: A Biography by Richard Schickel

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