By Bruccoli Clark

ISBN-10: 0787681504

ISBN-13: 9780787681500

Ex - Library ebook with a few library stamps and markings. Pages are fresh, crisp, and binding is tight. strong ebook. Dictionary of Literary Biography - released via Gale From the writer: "This award-winning multi-volume sequence is devoted to creating literature and its creators larger understood and extra available to scholars and readers, whereas pleasurable the criteria of librarians, academics and students. Dictionary of Literary Biography offers trustworthy details in an simply understandable structure, whereas putting writers within the higher viewpoint of literary history." each one quantity is illustrated through correct drawings, work, or photos of the authors in addition to name pages in their works. As of 2006, the sequence had 375 volumes, which incorporated 23 yearbooks and forty five documentary volumes. Altogether, the sequence integrated 13,500 writer biographies the Dictionary of Literary Biography systematically offers occupation biographies and feedback of writers from all eras and all genres via particular kinds of literature and time classes. incorporated are, biographies of historians, newshounds, publishers, e-book creditors, and screenwriters which specialize in an author's writings and the advance of occupation. each one quantity is overseen via a professional within the box. The biographies contain a bibliography of the author's works, and a "further interpreting" record of assets on writer and paintings.

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Additional resources for Dictionary of Literary Biography Volume 332: Nobel Prize Laureates in Literature: Quasimodo-Yeats (Part 4)

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10. Lisa Jardine, Still Harping on Daughters: Women and Drama in the Age of Shakespeare (Sussex, 1983), p. 72). Barbara Freedman, Staging the Gaze (Ithaca, 1991); Kent Cartwright, Shakespearean Tragedy and Its Double: The Rhythms 1" Audience Response (Pennsylvania, 1991); Katherine Eisaman Maus, 'Horns of Dilemma: Jealousy, Gender and Spectatorship in English Renaissance Drama', EUl, 54 (1987): 561-83. ), The Appropriation of Shakespeare, pp. 163-81; Lorraine Helms, 'Acts of Resistance: The Feminist Player', in Dympna C.

The New Feminist Criticism (1986), pp. 125-43; 'Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism', in Parker and Hartman, Shakespeare and the Question of Theory, pp. 77-94; 'Miranda's Story', in Showalter, Sister's Choice: Tradition and Change in American Ui>fIlen~ Writing (Oxford, 1991); see also for a negotiation of some of the central questions surrounding the male imagining of women, Jeanne Addison Preface to the Second Edition xlvii Roberts, The Shakespearean Wild (Lincoln, Nebraska, 1991).

The next battle I want to see waged is about how to write. 69 I wanted both in Shakespeare and the Nature of J%men and in Alice to the Lighthouse: Children's Books and Radical Experiments in Art (1987), to write for a readership outside the academy as well as within it. I always wrote Shakespeare and the Nature of J%men with a reader in my head, almost always a particular reader. One was the Shakespearean scholar, the late H. V. D. Dyson, Fellow of Merton College, Oxford. He had a special way of criticising pretension.

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Dictionary of Literary Biography Volume 332: Nobel Prize Laureates in Literature: Quasimodo-Yeats (Part 4) by Bruccoli Clark


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