By Jon Ronson
From the bestselling writer of The Psychopath Test comes a traditionally funny tale of a musician at the margins.
In the past due Nineteen Eighties Jon Ronson was once the keyboard participant within the Frank Sidebottom Oh Blimey sizeable Band. Frank wore an immense pretend head. not anyone outdoors his internal circle knew his actual identification. This turned the topic of feverish hypothesis in the course of his zenith years. jointly, they rode really excessive. Then all of it went wrong.
Twenty-five years later and Jon has co-written a film, Frank, encouraged by means of his time during this nice and weird band. Frank is decided for free up in 2014, starring Michael Fassbender, Maggie Gyllenhaal, and Domhnall Gleeson and directed by means of Lenny Abrahamson.
Frank: the genuine tale that encouraged the motion picture is a memoir of humorous, unhappy instances and a tribute to outsider artists too splendidly unusual to ever make it within the mainstream. It tells the genuine tale in the back of the fictionalized movie.
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Extra info for Frank: The True Story that Inspired the Movie
I think it was the most effective $400 marketing campaign in history. It showed that if you have a relatively small, hard-core fan base, you can get exponential growth out of them if the content is really relevant. The bleed-over to traditional media was unbelievable. We were guests on the “Tonight Show,” and “Persons of the Week” on ABC News. That kind of drove more online adoption. And we were always capturing peoples’ e-mails. We did a licensing deal with Yahoo for some original productions.
His primary goal in making documentaries, he says, is social impact. His first feature-length documentary, Trembling Before G-d, delved into the world of Orthodox and Hasidic Jews who are gay or lesbian. The movie became the centerpiece of a campaign that included screenings at synagogues; a conference on homosexuality in Judaism; a “Fresh Air” interview with Terry Gross; hundreds of “town hall”-style screenings with discussions afterward; training facilitators in Israel to talk with teachers and principals in preparation for the film’s television broadcast; and a sabbath celebration at the Sundance Film Festival.
It helps me fantasize. So much of entertainment has to do with the notion of possibility, and opportunity. If you’re a musician, you’re imagining playing in a nicer studio and collaborating with really amazing people. With the self-sustained model, you have limited options. You know what’s in your reach, and what’s not. ” I really want a mixture of both. I could spend a lot of time right now making videos – one-offs, or narratives – and keep trying to push Hollywood to pay attention to me. But most of my time is spent trying to explore new kinds of models for entertainment that don’t really have obvious financial structures surrounding them.
Frank: The True Story that Inspired the Movie by Jon Ronson