By Ramón E. Soto-Crespo

ISBN-10: 0816655871

ISBN-13: 9780816655878

One-third of the inhabitants of Puerto Rico moved to long island urban through the mid-twentieth century. due to the fact that this huge migration, Puerto Rican literature and tradition have grappled with a vital switch in self-perception. Mainland Passage examines the heritage of that transformation, the political fight over its illustration, and the methods it's been imagined in Puerto Rico and within the paintings of Latina/o fiction writers.

Ramón E. Soto-Crespo argues that the main major final result of this migration is the production of a cultural and political borderland country. He intervenes within the Puerto Rico prestige debate to teach that the 2 such a lot mentioned options—Puerto Rico’s changing into both a completely federated nation of the USA or an self sustaining nation—represent fake possible choices, and he forcefully purposes that Puerto Rico may be famous as an anomalous political entity that doesn't comply with different types of political belonging.

Investigating a primary shift within the manner Puerto Rican writers, politicians, and students have imagined their cultural id, Mainland Passage demonstrates that Puerto Rico’s commonwealth prestige exemplifies a counterhegemonic common sense and introduces an essential new method of realizing Puerto Rican tradition and history.

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Additional resources for Mainland Passage: The Cultural Anomaly of Puerto Rico

Example text

In the late nineteenth century, we see the emergence of the muchedumbre as a monstrous and irrational populace in need of direction or a framework such as the nation. It is via this organizing principle of a nation that the muchedumbre becomes the rational body politic of a people. Following nineteenth-century European concerns about a barbarous mob—and the fear of democracy as a mechanism for the mob to take control of Western societies—the Puerto Rican letrado class articulated these fears in a literature that showed a fundamental ambivalence.

To his assessment we should add the category of institutional political history. Benítez-Rojo’s claim that the seductive ambivalence is demonstrated in the ambiguity of the text itself suggests a literature that wants to take the place of history and a history that wants to take the place of literature. Beyond his 32 State and Artifice claims, we should speculate whether Rodríguez Juliá’s novels are not indeed elaborating the profound imbrication between institutional politics and the aesthetics of political artifice at the origins of Puerto Rican history.

It is this perspective that drives the political parties opposing the status quo, in favor of 14 Introduction either statehood or an independent nation-state. What is missing, according to the opposition parties, is political sovereignty. Without sovereignty, they claim, there is no state, and therefore the status quo is a colonial government without a state. This book proposes to fill that empty space visualized by advocates of statehood or independence by elucidating the political structures in place that refute the claim of vacuity.

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Mainland Passage: The Cultural Anomaly of Puerto Rico by Ramón E. Soto-Crespo


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