By Karl-Rainer Blumenthal

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Additional info for Of gods and grizzlies : the non-aesthetic of nature and the new kinship of Werner Herzog and Caspar David Friedrich

Example text

Herzog, Werner. Of Walking in Ice. Tr. Martje Herzog & Alan Greenberg. New York: Tanam Press, 1980. Hofmann, Werner. Tr. Mary Whitall, London: Thames & Hudson, 2000. In the Edges: The Grizzly Man Session. Dir. Erik Nelson. , 2005. Knight, Julia. New German Cinema: Images of a Generation. New York: Wallflower, 2004. Koerner, Joseph Leo. Caspar David Friedrich and the Subject of Landscape. New Haven: Yale University Press, 1990. Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality.

2. Kersting, Georg Friedrich. Caspar David Friedrich in his Studio. 1812; Oil on canvas. Nationalgalerie, Berlin. 29 Fig. 3. Friedrich, Caspar David. Woman at a Window. 1822; Oil on canvas. Nationalgalerie, Berlin Fig. 4. Friedrich, Caspar David. Woman Before the Rising Sun. 1818-1820; Oil on canvas. Museum Folkwang, Essen. 30 Fig. 5. Friedrich, Caspar David. Chalk Cliffs on Rügen. 1818-1819; Oil on canvas. Stiftung Oskar Reinhart Collection. ] Werner Herzog. Berlin: Jovis, 2002. Aguirre, the Wrath of God.

Abrams, 1995. Sontag, Susan. Illness as Metaphor and AIDS and its Metaphors. New York: St. Martin’s Press, 1978. ) Caspar David Friedrich. New York: Rizzoli, 1976. Vaughan, William. Friedrich. London: Phaidon Press, 2004. Vaughan, William. German Romantic Painting. New Haven: Yale University Press, 1980. The Wild Blue Yonder. Dir. Werner Herzog. Werner Herzog Filmproduktion, 2005.

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Of gods and grizzlies : the non-aesthetic of nature and the new kinship of Werner Herzog and Caspar David Friedrich by Karl-Rainer Blumenthal


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