By Michelle Burford, Amy Purdy

ISBN-10: 0062379097

ISBN-13: 9780062379092

Amy Purdy, who encouraged a kingdom on Dancing with the Stars and has been known as a hero via Oprah Winfrey, unearths the intimate info of her successful comeback from the threshold of loss of life to creating background as a Paralympic snowboarder.

In this poignant and uplifting memoir, Dancing With the Stars sensation Amy Purdy unearths the tale of the way wasting her legs led her to discover a religious course. while the Las Vegas local was once simply nineteen, she reduced in size bacterial meningitis and used to be given below a percentage likelihood of survival. In a near-death event, she observed 3 figures who instructed her: “You can include us, otherwise you can remain. it doesn't matter what occurs on your existence, it’s all going to make feel within the end.” In that second, Amy selected to live.

Her glimpse of the afterlife—coupled with a mysterious premonition she’d had a month sooner than —became the defining reports that positioned Amy’s lifestyles on a brand new trajectory after her legs needed to be amputated. She wouldn’t simply beat meningitis and stroll back; she might pass directly to create a lifestyles jam-packed with daring adventures, immense desires, and boundless vitality—and percentage that spirit with the realm. In 2014, Amy—the merely competitor, male or woman, with prosthetic legs—claimed a bronze medal for the U.S. Paralympic group in adaptive skiing. She then grew to become a contestant on season eighteen of Dancing With the Stars, and audience have been captivated because the lady with bionic legs controlled to out-dance her opponents the entire solution to the finale.

Amy’s trip is a testomony to the resilience of the human spirit and the ability all of us need to dream larger, defy expectancies, and rewrite our tales. Amy used to be given a moment likelihood for a reason—to use her lifestyles to encourage others. Her strong memoir urges us to dwell existence to the fullest, simply because we're all much more able than shall we ever think.

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Additional info for On My Own Two Feet: From Losing My Legs to Learning the Dance of Life

Example text

Sousa’s fame resulted mainly from his marches, yet the rhythmic structure of this selection differs radically from not only that of the first section of the piece, a 6/8 march (example 41), but also a “typical” duplemeter march, such as example 35. Oddly enough, the step called galop cannot be done organically to a musical galop. 18 ˙ Dance and Music Czardas-friszka - example 8 A czardas always has two sections. The first, the lassú, is described in the 4/4 category. The second section, the friszka, often has the rhythmic structure of a coda, as in example 8.

While a thorough knowledge of musical dance forms is vital for an accompanist and helpful for a teacher, the most productive way for a teacher to communicate her musical needs is by the way she moves and speaks and sings 15 ˙ Musical Forms for Dance and How to Count Them or hums. There are many musical forms for dance that don’t have convenient labels like rag or polacca, and a dance teacher cannot be expected to put a label on every piece of music she uses. She will get the best out of her accompanist—and her students—if she counts clearly and infuses her demonstrations with the appropriate spirit of each combination.

The peaks-and-valleys effect is very evident in big waltzes that are used to support combinations of grand allegro movement (as opposed to consecutive leaps across the floor, which need 3/8s without peaks and valleys). , on counts 1, 3, 5, 7, and so on). Therefore, those odd-numbered counts must be more accented than the even-numbered ones. What is also extremely important is the lead-ins to those odd-numbered counts. How well a dancer does the preparatory steps determines the quality of the jump, so those steps must be reflected musically.

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On My Own Two Feet: From Losing My Legs to Learning the Dance of Life by Michelle Burford, Amy Purdy


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